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Sound Waves Basics:

A soundwave is vibrations of acoustic pressure that travel through air molecules. Soundwaves would look like bubbles if we could see them, but once they enter the electronic and digital worlds, they are shown on a two-dimensional graph where the y-axis defines the amplitude (or loudness) of a
 
signal and the x-axis defines the frequency (or pitch). The sinewave that is seen above is the most basic waveform in audio. It a single pitch with no harmonics (or overtones). Harmonics are additional pitches that are sounded with a signal. They are higher pitched and based on fractions or ratios of the original signal. For example a guitar string vibrates as a whole. It also vibrates as in halves (one half going one way while the other half does the opposite).
 
In addition, it vibrates in thirds, fourths, fifths, and so on. Every time the length of the vibrating material or wave is affected the pitch changes. So, when a string vibrates in halves, it produces a pitch half the wavelength and twice the frequency (or one octave higher) of the original. The series of pitches produced as harmonics may seem
familiar to you. They are the basis of western music harmony, producing octaves, fifths, and thirds. The image on the right shows how different numbered harmonics fall into series with different notes of the scale. If you want to hear these for yourself, there is a simply test that you can do to help your ear notice the different harmonics.
 

Exercise:

Sit down at an acoustic piano and play a low “C” note. Hold it out and listen for higher pitches in the sound. Stop the note and play one of the harmonics (as listed in the staff such as “G”, “E”, or a higher “C”) immediately afterward. Listen for that harmonic as you play the low “C” note again. Repeat this process for the different harmonics. If you want to make the harmonics sound more apparent, hold down the sustain pedal while playing the fundamental. The harmonics of that note will cause the related note’s strings on the piano to resonate. This is called sympathetic vibration (when a specific item resonates at a specific frequency, other items tuned to the same frequency will begin to resonate as well). Now you should be able to hear many of the harmonics of that low “C” note. See how high in the harmonics series you can hear. You will notice that it gets more difficult as the pitches go higher. Listen to the richness of the sound that is created by having all of those notes sounding as harmonics with the one fundamental note. Finally, try different fundamental pitches and train your ear to listen for harmonics in other instruments as well.

The two above images show the difference between even and odd harmonics. Notice how the even harmonics are more stable ratios such as octaves while odd harmonics are more unstable, like thirds and sevenths. Even and odd harmonics have different characterizstics. Even harmonics are commonly reffered to as being more stable, smoother, and comforting. Odd harmonics are usually described as more jarring, unstable, and sometimes harsh.
 
 
 
 

Sound Wave Types

Complex waveforms are the combination of hundreds of waves. If a voice sounds bright it is usually because it is producing upper harmonics at higher amplitudes. If it is duller sounding, it has less upper harmonic content. The combination of all of these different simple sound waves at different frequencies and different amplitudes (levels) produces complex waveforms. These variations in complexity and harmonic structure are how we can tell the difference between the sound of a guitar and a trumpet, a knock on metal or wood, and a real human voice verses a synthesized one.  There are a handful of basic waves not commonly found in nature, but easily created with electronics. These basic waves are the building blocks of many synthesizers, basic MIDI, and warning systems.

         
  Sine Wave   Sawtooth Wave  
         
  Square Wave   Triangle Wave  
         

These main four waves can be seen in most synthesizers, DAWs, and testing equipment. There are some variations that include the sawtooth wave going in opposite directions and the lopsided square wave (being larger on the top and smaller on the bottom or vice versa). Depending on the device these waves can be added together to create complex waveforms, can be used to modulate a signal, or can create the pattern for a pulsating effect.

-Ben Harris

 
 
 
 

Setup Guide - Here we look at all of the items for a basic setup.
Acoustics - Look here to demistify the black magic of acoustics.
Recording - Learn tracking and recording tips.
Mixing - Find new mixing techniques with audio examples and video.
Mastering - Look into the mysterious art of mastering.
Producing - Find out why producing is such an important aspect.
Glossary - Learn the definitions to all of those technical terms.
Music Videos - See tips on how to make your project into a music video.

 
 
 
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